The visual installation invites the viewers to enter a darkened room where they gradually perceive a changing light source. This source is created from an electronic chromatic composition that uses the Braille system as both a graphic medium and a symbolic mise en abyme of the digital within the digital.
The choice of light seeks pure, immaterial, and ephemeral transmission, a precise metaphor for a fleeting yet illuminated thought.

Constructed from elementary signs, primal physics, language of signs, this work is based on the language that precedes speech, which is discerned in the gaze that touches thought most intimately. This active and perceptive contemplation immerses us in a state of mental and reflective concentration.
This process can be defined as a “visual music” of light and, through this flattening of language, arrives at different levels of interpretation, also providing special (and different) accesses for the visually impaired and blind.